In relation with my previous post, this is another painting analysis... by one of the most awesome painters I know, Maxfield Parrish
The Fountain of Pirene
Painted by Maxfield Parrish
“The Fountain of Pirene” is the title of one of Maxfield Parrish’s myth
paintings. It was created during the year 1907. It was made by using his famous
blue color and glazing technique wherein bright
layers of oil color separated by varnish are applied alternately over a base.
The painting has a three-dimensional effect. For the front, there were
giant rocks to enclose the fountain of Pirene and two greek people talking. A
mist also took effect. Two trees at the middle part – but the one at the right
is closer to the viewers and has a different effect than that of the tree at the
back. The back part shows a waterfall flowing non-stop from the top.
The form of art used here was painting, though a different way of doing
it. The medium Parrish used here was oil and varnish. He also used the
transparency of the photo and black graphite on the canvas so that he can trace
the black portions of the photograph.
Different shapes and figures were used for this painting – the rocks,
the waterfall etc. The axis of the painting is vertical due to the way he
painted the tall trees and the flowing waterfall. Somehow, if the viewer will
focus on the front only, it might be depicted as having a horizontal axis. The
lines were soft for there is no really straight surface in the painting, more
like, dots were used for the artwork.
The use of soft lines made the artwork look smooth, though at the same
time, the use of dots for the last layer makes it look a bit rough. Here, dark
colors were dominant than the bright but the way the bright colors were used
makes it equal to the quantity of the dark. Also, the intensity of the painting
is big because of the shading technique. Proper spacing was visible; everything
has been filled and the picture is very calm yet there was no dull moment.
For schemes, Parrish used different tools. One, using a small palette
knife, he proceeded
to thin the paint to the proper transparency. Two, the glaze technique was
applied by using a normal paintbrush creating shadows with the
varnish. Three, he used a stipple brush to create smooth graduations between
two colors. Four, he used a blotting paper for cliffs and rocks. Five, he
frequently used cheesecloth which is for areas of glaze and to break up
textures. Six, he used pencil knife for finer areas. This way of scheming was
used layer after layer.
The place
and time of the painting cannot be really determined for this is a Greek myth
representation. It is a story about Pirene who became tears and turned to a
fountain because of grief for her son’s death.
The most
distinctive feature of this artwork is lighting and shading. Cool colors were
used. It brings out the painting’s beauty. It also has a very nice flow of
rhythm because of the way the water and the trees were painted.
Emphasis
wasn’t really given to the main subject. Viewers might take the waterfall as
the fountain because if a person looks at the painting, he/she will not look at
what’s at the bottom but the middle. He/she will see the waterfall not the
fountain. . The painting is very balanced: there were two people
at the front right; a waterfall at left back; and trees on both sides. Harmony
is very visible. The variety of the painting was shown: the rocks, the trees,
the falls, the people. The movement is very relaxing and calm. It also has
proportion, giving each object a chance to be noticed. Unity among the objects
is very obvious when you look at the lighting effects. The way it was painted,
makes it look realistic.
Maxfield Parrish basically created this painting for the purpose of
illustrations. There was no hidden meaning behind this painting. It is only a
representation of one Greek myth. Though it was also created to show the
possible beauty of the fountain which was formed from Pirene herself and to
show it’s use. It was originally a place for a Pegasus to drink but in the
painting, humans were the ones there.
This is a magnificent painting! The possible criteria fitted for this
is: Theme, Effect, Technique and Impact. With that, I give 9 points for his
choice of topic; 10 points for the marvelous effect; 10 points for the most
unique technique I’ve ever seen and 9 for the Impact.
I find this painting very attractive for it’s lighting. The way Parrish
used his technique for this artwork was worth it. It can give a lasting effect
to the viewers. The title of the work is perfect because it says it all. This
painting is calm yet lively in some ways.
A wonderful artwork!
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